Popclips nickelodeon9/22/2023 “Identity/Is the crisis/Can’t you see?” she wails in the song’s promotional clip, dressed like a ’50s bobby soxer and performing with her band in an old warehouse littered with retired department store mannequins. Styrene’s political ambit was broadly aimed and sharply delivered, and “Identity” twists the New York Dolls’ gender-bending proto-punk classic into a forceful treatise on women’s representation. X-Ray Spex were among the most stylish and musically innovative of the first wave of British punk bands thanks to Marianne Joan Elliott-Said, aka Poly Styrene, the rootless Somali-British 21-year-old who was still wearing braces when her band’s debut album, Germfree Adolescents, was released in 1978. See also: The Rolling Stones: “ Angie” (1973) and “ Miss You” (1978) The song might signify the Stones admitting that innovation was overrated, but Hogg’s simple style would, purposefully or not, reappear to define a significant segment of ’90s MTV: think Hype Williams and the Beastie Boys. With 1974’s Top 20 single “It’s Only Rock ‘N’ Roll (But I Like It),” however, the band effectively announced it was done blowing minds and would double-down on the basics-a stance that defines the Stones to this day.įor the video, Michael Lindsay-Hogg (who filmed ahead-of-their-time clips for the Stones’ “ 2000 Light Years from Home” and “ Jumpin’ Jack Flash” as well as the Beatles’ dissolution documentary Let It Be) had the band mime to the camera, shooting them from below with a wide-angle lens while a gaudy tent inflated around them and soap bubbles gradually infiltrated the set. The Rolling Stones: “ It’s Only Rock ‘N’ Roll (But I Like It) ” (1974)īy opening two of their tours to documentary crews-resulting in the iconic Gimme Shelter and the long-unreleased (and thoroughly NSFW) Cocksucker Blues- the Rolling Stones were visual pioneers of rock’s darkest moments and crass excesses. Out of the hundreds of videos created during that heady decade, we’ve selected the 25 that best represent the format’s possibilities, eccentricities, and influence, and added a few dozen runners-up to cover all the bases. The music video format proliferated and matured during the 1980s and 1990s, but musicians and filmmakers developed its basic shape and first explored its creative limits during the ’70s, a time of tumult and innovation in the record business, from the rise of arena rock and prog through the emergence of disco, electronic dance music, punk, and new wave. Actual music video programs started taking shape as well: Australian television had two such shows, and ex-Monkee Mike Nesmith started a program called “ Pop Clips” that briefly aired on Nickelodeon a year before MTV’s launch. Local television stations would often air the clips between programs, and discos started streaming them on loop via closed-circuit TV. A handful of well-funded and/or forward-thinking musicians started making short promotional films in the early ’70s, and as video technology continued to advance through the decade, many directors fell for its speed, creative possibilities, and easy duplicability-not only expanding the practice, but creating a unique visual aesthetic as well.Īs the ’70s went on, distribution networks for music videos (throughout this piece, I use “music video” as shorthand, even though it doesn’t directly apply in many cases) started emerging. Though the phrase “music video” didn’t take hold until the late 1970s, the prototype for the form and its promotional possibilities came with the Beatles’ simple short films for “Paperback Writer” and “Rain,” songs they were loath to recreate live (the video package sent to “Ed Sullivan” in 1966 came with an apologetic intro from the band explaining that the clips were substituting for an in-person appearance). Patrons of nightclubs in the 1940s could view Soundies of Fats Waller and Duke Ellington, and the rise of television in the 1950s made pop music a permanently multimedia form: Between “The Ed Sullivan Show” and programs like “Top of the Pops,” “American Bandstand,” and “Soul Train,” musicians have long developed visual styles to accompany their songs. But by then, the idea of linking popular music with motion pictures was nothing new. Even though only a handful of viewers actually saw MTV’s technologically challenged first moments on August 1, 1981, that date has been etched into history as the birth of the music video.
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